Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Bihzad
The suicide of the artist Farhad,forbidden union with the lovely Shirin

ID: 34246

Bihzad The suicide of the artist Farhad,forbidden union with the lovely Shirin
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Bihzad The suicide of the artist Farhad,forbidden union with the lovely Shirin


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Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.  Related Paintings of Bihzad :. | His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro | Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna | Archangel,a symbol of the divine Active Intelligence | Old man and youth | Building the Great Mosque of Samarkand |
Related Artists:
Gustave Leonard de Jonghe
painted Changeable Weather in 1875-76
Theodore Gericault
French Romantic Painter, 1791-1824 was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
KAUFFMANN, Angelica
Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.






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